The article review(文章导读):
Good Story Means Successful Animation
Zhao Wei: You have produced many famous animation1 characters. So what elements do you think a successful animated film should possess?
Becky Bristow
Text(正文):
Good Story Means Successful Animation
Zhao Wei: You have produced many famous animation1 characters. So what elements do you think a successful animated film should possess?
Becky Bristow: Well, the most important element is a good story. The second most important element is telling that good story well in a visual form. As long as you have a well told story and a good idea, if it’s a sad story or happy story or any kind of story, it will be a successful film. It’s just that simple.
Zhao: Japanese animated film Spirited Away won the Oscar for Best Animated Feature Film for 2003. As a member of Academy Awards committee, could you tell me the criterion for being a winner?
Becky Bristow: Again, the same thing. It’s a good story, an imaginative story, a well told story visually2 and something touches the heart. Spirited Away certainly did that. It’s a fantastic film. I think it’s very interesting, and we were very surprised. Because Disney had film in the competition, Dreamwork had a film and all of these studios had films in the competition, but a Japanese film won. So that’s an important message to the US animation business that something they are doing is not right.
Zhao: I think a person who could produce animated films catering3 so much to children’s mind must possess a childlike heart. Do you think you are that kind of person?
Becky Bristow: I think so, and I think a lot of animators I know are very childlike and innocent, because you have to have that sort of way of looking at things. But a lot of us care about children being given good things to watch. They should be fun, but also children learn something from it. So you need to make it appeal to them, and you also have to look from the angle of the adult and protect them from certain things, but not protect them too much. I think kids know too much today.
Zhao: What’s your favorite character of all the characters you have produced?
Becky Bristow: Oh, that’s like asking a mother which child is her favorite. I wouldn’t want my mother’s answer. I can only say that any of them is my favorite, 'cause everyone is special in some way.
Zhao: What’s the current state of Chinese animation industry? How do you predict the future development of Chinese animation?
Becky Bristow: Well, it’s healthy I think. From the end of 1980s, when I first visited China, to about 2 years ago, most of the animations being done in China were for the west. So I was worried about Chinese animation because I didn’t see any original animation being done. But in the last 2 years, there was a lot going on in Chinese animation. There was a big interest in opening Chinese animation to western appeal, not losing the special of Chinese art in animation, but making understanding what is more appealing to a wider audience of the world.
Zhao: Now you are the chair of Department of Digital Arts Design of Beijing University. What advice would you give to the students who want to join in the animation industry? What skills do you think are important to be a successful animator? |
